Maison&Objet returns to Paris Nord Villepinte from September 4 to 8 with a show frame that places domestic life at the center under the theme “WELCOME HOME,” curated by French designer Amélie Pichard. Organizers confirm the venue, dates, and extended opening hours, and position this edition as a practical sourcing week for furniture, lighting, textiles, and decor across multiple halls. The fair again runs alongside Paris Design Week, which spreads installations and pop ups across the city.
Pichard’s “WELCOME HOME” occupies Hall 6 as a free flowing house that visitors move through like a lived space, a concept intended to shorten the gap between show stand and real room planning. The fair’s magazine preview explains that the installation questions contemporary making and the borders between disciplines, inviting buyers to read materials and objects in context rather than as isolated novelties.
Alongside the headline theme, the fair continues programs that have become buying shortcuts. Future On Stage gives a compact view of emerging brands with production ready offers, while the Rising Talent Awards spotlight new German designers this season. Together these platforms help project teams catch early direction for upholstery, drapery, and case goods, and they often become the most photographed corners of the event. The exhibitor hub lists the programs and confirms the Germany focus.
Layout changes are modest but practical. Organizers highlight six broader sectors to simplify the floor plan and funnel similar products together. For specifiers, the effect is a quicker circuit between decor, lighting, textiles, outdoor, fragrances, and smart living, reducing backtracking and missed booths. The official program page also flags a new Design District concept called Hall Haus, which clusters craft driven content and crossovers between furniture and fashion.
For textiles and window treatments, expect a deeper bench of recycled yarns, performance sheers, and blackout composites that aim to meet new rules in Europe and the United States. Several mills have prepared UV resistant weaves and stain control finishes that do not rely on fluorinated chemistry, a direct response to shifting regulations. Buyers can use the fair to confirm test data and to compare hand feel and drape against legacy options. The program preview indicates a strong materials narrative across halls.
Timing also matters. With the autumn project cycle beginning, launches in Paris tend to set retail and residential palettes for the final quarter. Brands will lean into practical neutrals warmed by clay and tobacco tones, with glossy lacquer and polished metals appearing in measured accents, a continuation of spring signals seen in Milan. That cross channel influence remains clear in the European calendar, where fairs feed one another through shared exhibitors and editorial coverage.
Operational details are unchanged from recent years, which helps planning. Doors open 9.30 am to 6.30 pm from Thursday to Sunday, and 9.30 am to 6 pm on Monday, a schedule that gives international visitors enough runway to cover halls and visit city events in the evening. Early mornings tend to be best for large stands and fabric houses, while late afternoons are calmer for lighting and accessories. The fair site lists hours and location for quick reference.
The practical takeaway is simple. Paris offers a condensed snapshot of what is production ready for delivery this fall and early 2026. With the “WELCOME HOME” installation acting as a proof of concept for lived spaces, teams can assess how new seating, tables, rugs, and drapery will behave in real homes and hospitality. Expect a steady flow of orders for neutral sofas with tactile covers, lined linen curtains, modular lighting, and objects that make rooms feel personal without clutter.